Should SF Die?

(Cross-posted from the Shine website.)

There’s been a lot of musing about the fate of science fiction, lately. To be clear, I’ll be discussing *written SF* here (predominantly), not SF in movies, comics, video games or other media. To summarise (and this is far from complete, but I hope it touches upon the main points):

• According to Ashok Banker, SF is morally and ethically bankrupt (to put it mildly: his interview at the World SF News Blog has been deleted on his request, because some idiot stalker is now threatening not only him, but his family and friends, as well);

• According to Lavie Tidhar, SF — and fantasy, as well — is suffering from monolithic anglophone syndrome;


• According to Mark Newton, SF is commercially dead, and fantasy is the (bestselling) future;


• According to Athena Andreadis on the Huffington Post, SF has ditched science and has become, in effect, fantasy. Geoff Ryman (who recently edited When It Changed) and Ken MacLeod (who is involved with The Human Genre Project) seem to agree;

My viewpoint is that SF is becoming increasingly irrelevant, and that lack of relevance can be attributed to developments and trends already mentioned in the points above, and SF’s unwillingness to really engage with the here-and-now. That doesn’t mean that SF needs to die (actually, a slow marginalisation into an increasingly neglected and despised niche-cum-ghetto is probably a fate worse than death), but it does mean that SF needs to change, and that it needs to become much more inclusive of the alien (and I mean alien in ‘humans-can-be-aliens-to-each-other’ sense) and proactive, meaning it should not just shout ‘FIRE! FIRE!’ (and do almost nothing but), but both man the fire trucks *and* think of ways to prevent more fires.

That’s the short version: allow me to expand on it below the cut.